These hidden places, carved-out places, are a way to take time outside of time — to decouple time from its neoliberal synonym, money.
This is such an extraordinary essay. Thank you.
I'm rereading "Wittgenstein's Mistress," and the singer singing in the narrator's head is . . . Kathleen Ferrier. What's with her, Nathan?
This is such an extraordinary essay. Thank you.
I'm rereading "Wittgenstein's Mistress," and the singer singing in the narrator's head is . . . Kathleen Ferrier. What's with her, Nathan?